With
the increasing sway of digital intervention upon our graphic response
to our surroundings, it could be suggested that the act of drawing is
gradually being dissolved by digitally enhanced methodologies. The
cultural impact of photography and a host of related image enhanced
devices have historically relinquished the human eyesposition as the
most sanctioned and perceptive mode for interpreting the visible
world. Digital and technological advances are continuously altering
the faith we place in our methods of personal graphic response and
interpretation of the visible world.
BRIEF:
In this exercise each
student has the option of creating either a 2D drawing/collage, film,
projection or 3D form
that conveys a point of collision between the hand drawn and some
form of scientific or digital intervention. The scientific reference
may come from early historical drawing aids such as the camera
obscura, the stereoscope, the slide projector or something as
fundamental as the lens. Alternatively students can use a
contemporary digital device that alters or reconfigures a series of
nature-‐based drawings as a means of exploring the
relationships between science and nature.
A
suggested approach could be tochoose a form from nature and complete
a study or series of studies in any medium. These initial works could
then be documented, photoshopped and reinterpreted in another medium.
The point of ‘collision’ between the hand drawn and technology
relies entirely upon student’s imaginative interpretation.
Mediums
may include drawing, printmaking, rubbings, sculpture, film or
ephemeral performance pieces etc. For the practicalities of
thestudio-‐based lesson it is advised that students keep their
use of digital media to lap tops, mobile phones or other fundamental
mechanisms.
The
outcome for this project may be presented as a hybrid form of
collage, drawings, assemblages, film or digital based works that
establish and challenge new means of visual representation.
Ultimately it is for each student to negotiate their own measure and
degree of intervention between technology and their personal graphic
response.

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